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Melinda Stanford

Singer, Songwriter, Vocal Coach

Melinda Stanford, a graduate of Yale University, has been working professionally as a singer, songwriter, pianist, and vocal coach for over 25 years. Melinda has performed in New York’s Rainbow Room, coached one of Japan’s top recording stars, and was a soloist in the film “A Wake in Providence.”  She was selected as a composer for the BMI Theatre Workshop and as a singer in the first Eugene O’Neill Theatre Cabaret Symposium.  She has performed both her own music and cabaret in many venues both on the East and West Coasts, as well as in Japan. She starred in the critically-acclaimed Boston Sings Boston series and is featured on the original cast album.
In New York, Melinda has performed in a broad range of venues, from the Rainbow Room to downtown clubs such as the Knitting Factory, the Duplex, and Cafe Sin-é. She also wrote, produced, and performed in a one-woman show called “Where Do the Mermaids Stand?” at Eighty-Eight’s. As a writer of both theater and pop music, she was one of a small number of composers selected to write for the BMI Theater Workshop in New York City. In Japan, Melinda has toured in Tokyo and Osaka, performing in many formats including pop, jazz, country, and classical, and her songs have been broadcast on one of Japan’s major radio stations (FM Yokohama).  She was also hired by Yamaha Publishing to coach a leading Japanese recording stars, Miho Morikawa. In Boston, she has been nominated for an Outer Critics award for her cabaret performance in Boston Sings Boston. She has released two albums (see below): Tread On My Dreams and Off the Cuff.

Melinda has been in the Boston area for the past twenty years, where she has performed individually and with bands, writes and records music, and is a well-regarded vocal coach, in addition to being a certified professional life coach.  Over 20 years ago, she developed a unique program for her vocal coaching students to help them find their voice both literally and figuratively, combining vocal technique, journaling, life coaching, and recording sessions.  She found that students’ voices improved as they got in touch with their inner voice, and that the more they understood themselves, the better they sang. Melinda graduated from IPEC (the Institute for Professional Excellence in Coaching) in 2013 as a certified professional life and executive coach to help even more clients by being able to work remotely from anywhere in the world.  Melinda started World Stage Coaching because she understands the importance of finding your voice and how easy it is to lose of sense of who we are and to speak up for what we need.  She also understands that women in particular need the time, energy, and encouragement to find what they love to do and go after it, claiming their own world stage, in whatever way they define it. 
  • If you missed Stanford…don’t despair. She’ll be back… Melinda Stanford writes in every vein from blues to ballads. She’s even set poetry like Robert Frost’s “Reluctance” to music. Once you hear her gorgeous, bittersweet setting you’ll be convinced his words and this music belong together…In addition to her skills as a songwriter, Stanford can deliver songs we associate exclusively with someone else and make them her own…She is a winning performer with a way of inhabiting a lyric. Her sweet demeanor gives her an easy rapport with the audience – so it comes as a bit of a shock when she launches into her darker material. She seems to have a direct line to intense heartache, something completely at odds with her fresh-faced exterior. Her exquisite delivery of Kander & Ebb’s “Coloring Book” (“Color him gone…”) had everyone searching their pockets for tissues. The plaintive ballad “Waitress Shoes”, about dreams delayed, should soon become a standard on the cabaret circuit, and her ode on a friend’s suicide-attempt captures desperation so acutely that you feel the pain in your own bones. What makes Stanford the performer a force to be reckoned with is her ability to infuse each song with a characterization – something which can lift cabaret from an evening of songs to an evening of theater.

    Beverly Creasey
    Theatre Mirror
  • Stanford unveils remarkable cabaret skills…Displaying an impressive range in both vocal style and interpretive skills, Stanford was at her best here, often bringing out nuances in the songs that others might have missed… [a] singer to watch out for!

    John Amodeo
    Bay Windows 

Tread On My Dreams

LISTEN HERE ON SPOTIFY
1. Anyone Lived in a Pretty How Town
2. He Wishes for the Cloths of Heaven
3. Reluctance
4. Somewhere I Have Never Travelled
5. The Soul Selects Her Own Society
6. Funeral Blues
7. Nimium Fortunatus
8. Shall I Compare Thee to a Summer’s Day?
9. Amazing Grace
10. The Delight Song of Tsoai-talee
11. How Do I Love Thee? Let Me Count the Ways
12. The Lake Isle of Innisfree
13. Do Not Go Gentle Into That Good Night
14. Jewish Prayer
  • Melinda Stanford’s musical compositions are original, diverse, and compelling. Her stunning and soaring vocals bring life to the wide-range of poetry used. I found the CD to be incredibly moving — what an experience!

    MK
    Washington State
  • Captivating, warm-hearted and energizing music -just beautiful. Tread on My Dreams has such a powerful range of vocals, it’s amazing that it’s all from one singer. I can’t help but picture myself running up hills, leaping up on a church pew, or singing on stage when I hear her songs. My all-time-favorite and a quintessential Melinda song is “Funeral Blues.”  It’s warm-hearted, awesome music!

    MD
    Massachusetts
  • Absolutely fantastic…When I listened to the Funeral Blues, I cried. I love this poem and Melinda did such a great job in making this into a lovely music. I also love the opening intro. The sound keeps ringing in my ears and it makes me happy all day. Melinda’s music is like angels singing to you. If you want to be happy, you must listen to her music!!! I love her CD and I hope she will produce a whole lot more in the very near future.

    SM
    California
  • Great voice and variety. Very cool stuff. Nice variety of music, and her voice sounds great. The whole thing is a very impressive package (visually, aurally, etc.) “Do Not Go Gentle” is my choice for the “single” off the album.

    EH
    Massachusetts
  • An ethereal voice that carries love, heartache and wisdom. Poetry comes to life in a genre more applicable to today’s society. You can listen and more clearly understand what lies beneath each poet’s words. Tread on My Dreams makes you think; it is a wonderful CD.

    SS
    North Carolina
  • Sets the bar very high for work of this kind – bravo. “Tread on My Dreams” is so beautiful, I still haven’t recovered nearly two months later. The choice of texts, the breadth, the economy, the totally natural way the words scan – not to mention the performances (great cello too) – just magically done. She really knocked this one out of the park – I hope there’s more to come!

    CJ
    Washington State
  • Move over Norah Jones! Everything about Tread on My Dreams is winning: the title, choice of poetry, design, song order, composition notes, and above all, the wonderful songs and arrangements. My favorites: ‘anyone lived in a pretty how town’ – a perfect lead song, so upbeat and catchy; ‘Funeral Blues’; ‘The Soul Selects,’ with its insightful and sexy take on Emily Dickinson. But there’re all so good… a priceless gift.

    Maureen McCarthy Draper
    CA, Author of “The Nature of Music”
  • There are many albums released to the market each year that appeal to the commercial or to a certain genre or fan base. It is the select handful that can most accurately be described as ‘art.’ Melinda Stanford’s ‘Tread on My Dreams’ is that album… It is an album that can and will be enjoyed by an entire family, from the youngest child to grandparent, to the point of obsession — and rightly so!

    Joel Flatow
    CA, Senior VP, Artist & Industry Relations, Recording Industry Association of America
  • If you’ve always loved the music of poetry, this is your CD! The essence of poetry, and the essence of music — Melinda Stanford gets it all. She makes you hear the poems anew through her music. Just listen to ‘Amazing Grace’ or a Shakespeare sonnet, and you’ll feel you are rediscovering the classics. I loved it!

    Linda Gottlieb
    NY, Producer of “Dirty Dancing”

Off the Cuff

LISTEN HERE ON SPOTIFY
1. Keeping Out of Mischief Now
2. Summertime
3. Hit Me With a Hot Note and Watch Me Bounce
4. My Romance
5. God Bless the Child
6. Someone to Watch Over Me
7. Route 66
8. My Coloring Book
9. Body and Soul
10. Blues in the Night
11. Over the Rainbow
12. Lost in the Stars
  • I had to tell you how wonderful your new CD, Off the Cuff, is. The best word I can think of to describe it was ‘spellbound.’  It was fantastic in every way, including your voice, your pianist, your song selection, and even the CD jacket graphics. You sang the classics with great feeling, and the arrangements with only a piano were perfect.

     

     

    MT
    California
  • I love it, love it, love it! Your voice is so perfect for these fantastic songs— some of my favorites.  And I love the way that you can go from be-boppy to super sexy sultry to clear and pure.  What a voice you have.  I love it all.

    PK
    Massachusetts
  • What a great CD this is.  Your voice, so expressive, flexible, with a range of colors. Your choice of music, only the best.  We were dancing on the ceiling!

     

     

    MD
    California
  • I love the name Off the Cuff, but my own preference would have been Off the Charts, since I believe that is what you have always been!

     

     

    WC
    Connecticut
  • Thanks for sending me the link to your new CD–it’s beautiful. Your voice is really incredible! I love your slow songs the best.

     

     

    SW
    Massachusetts
  • We love your CD! We moved a CD player into the kitchen so that we could listen at meals. It is an amazing piece of work.

     

     

    MB
    Massachusetts
  • Melinda’s new album comes with tunes that are such standard numbers, that all of them sound families, even melancholic. Slow ballads such as ‘My Romance’ let her low to mid tones sound particularly beautiful.

    TT
    Japan
  • Off the Cuff is truly wonderful. I even shed a tear on ‘My Coloring Book’ and I love the last number, ‘Lost in the Stars.’ Your voice has never been clearer or more sensitive to the material. I kept thinking it was so much like Ella Fitzgerald and her elegant, natural, seemingly effortless sound.

     

     

    JS
    California
  • The new album is AMAZING!

     

     

    MG
    Oregon
  • It is essential that Melinda share her gifts with the world!

    Toyoo Gyohten
    Former Vice Minister of International Finance, Japan

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About us

Melinda Stanford, a graduate of Yale University, has been coaching clients for over 20 years, helping them to find their voice and take their dreams seriously enough to move toward a bigger world stage.
Based in Boston, MA
with international consulting

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